It was cold in Chicago. Nasty cold, or at least it seemed that way since I left my warm coat in the car. Note to self: Park West has coat check. Doors opened at 8:00, which is when we arrived, and the line (mostly general admission) stretched about two blocks. I left my companions in line and went for a jog around the block to warm up. It didn't work. We finally got in, and got a good place to stand, down front.

About 9:20, The Nuggets took the stage (at least that's what Lenny called them). This was Patti's band minus Patti. Lenny Kaye is known as a proponent of garage rock, and put together some compilation albums called Nuggets. So that's what they played, or course - garage rock. Eight fun, short songs. Fun!

"Crazy Like A Fox", "Night Time" (The Strangeloves), "Journey to the Center of the Mind" (The Amboy Dukes, sung by Tony Shanahan), "Nobody but Me" (The Human Beinz, sung by Andy York), "I Had "Too Much to Dream Last Night" (The Electric Prunes), "See No Evil" (Television, sung by Tony Shanahan), "People Who Died" (The Jim Carroll Band, sung by Tony and Lenny), "In the Midnight Hour" (Wilson Pickett, sung by Tony and Lenny).

I had trouble with my ears. I had forgotten to bring my good earplugs, so had to stop at a drugstore and pick up some cheap ones. They were so "good" that they blocked out everything but the bass, which came in through my head. I had to pull them partway out, to hear anything, and it still wasn't great. Much worse sound than with my good earplugs.

Then we had a break for quite a while. When Patti took the stage, more people moved in. It was pretty cramped for a while. Including some stinky hippie chick, and her big boyfriend. Due to all of this, I wasn't having a good time. Fortunately, Patti showed up. That helped. ;-) And over time, people left, for some reason. It wasn't too crowded late in the show.

So Patti took the stage. She came out by herself and read "Piss Factory." Then the band came out and they did "Dancing Barefoot", "Ghost Dance" and "My Blakean Year". There was a lot of talking and stories between the songs. I wish I could remember what they were about. After that she did the first of many covers of the night. I get the impression her NYE shows include more covers than usual. Partly because of the party atmosphere, partly to honor the year's lost souls. This one was George Michael's "Father Figure." Then "Break It Up" followed by "Jesus is Just Alright." After that was Blue Oyster Cult's "Astronomy" to honor its writer, and the bands founder and manager, Sandy Pearlman. Then "Ain't It Strange", "Peaceable Kingdom" and "People Have the Power". Patti mentioned that they had to add something to make the timing come out right for midnight, so she and Lenny did a cover of Debbie Reynolds's "Tammy". Practically unrehearsed, she said. And then the buildup of "Pissing in a River" followed by "Land" with some "Gloria". The obligatory "Auld Lang Syne" at midnight. Then the finale of "Because the Night", "People Have the Power" and "My Generation".

She brought a kid out on stage, who came all the way from Tokyo. She gave him her guitar and he played on "People Have the Power". He was going to leave, but she kept him on during "My Generation" and she had him help break the strings off her guitar.

Like I said, due to the party atmosphere, with more talking than usual, and the all the covers, the show was quite different. I think the usual tempo was broken up by the covers. The previous night was her birthday. If we'd known that beforehand, we might have gone to that one instead. Michael Stipe showed up to sing "Happy Birthday". That show started with all of Horses, was followed by five covers, then four of her songs, with "My Generation" as the encore. During one of the songs, I forget which, Patti lost her way. She stopped a couple of times to confer with Tony while the band jammed. She finally gave up and told the story of Scheherazade, which morphed into some strange bit including someone in New Jersey. Then finally went back into the song, or maybe another, I don't recall.

I think the show got out around 12:30. We took our friend home, and got to our home at 3:00.

setlist )
For the last eighteen Years, the Chicago Coalition for the Homeless has put on a benefit concert. They heard that Patti Smith was going to be on tour this year, so they asked her to do this year's show. It was at the Park West Theater. Cyn and I took her sister, Melissa, who's been a big fan for a lot longer than I have. She'd never seen Patti before. We got there pretty early, and were near the stage, just right of center. I always forget that at these shows with a lot of old people, you don't have to arrive early to get to stand near the stage, though I was a little annoyed at some of the old people pushing in front of us when the show started. Yes, I have trouble recognizing that I'm one of those old people.

The opening act was a band of high school kids, Troubled Identity. I'm not sure how they landed the gig, but they donated $5000 to the cause. They were pretty good. No stylistic connection to Patti's work, but they didn't clash, so we're good. ;-)

After they played, there was a benefit auction. They auctioned a stay at a posh New York Hotel, and a photo safari in Africa. We have plans to go to New York soon, but the price tag of that one quickly escalated out of range. The safari was more tempting, as it went for about half of what it was worth, but it was still expensive, and it didn't include air fare. And Cyn only has so much vacation time. They did a framed, autographed copy of Springsteen's Nebraska, and Bono's autograph on the single for "I Will Follow". I think those went for way under street value, but I have no resources to turn them around, so no bids from me.

So then Patti and her band came on. She seemed to be having some technical difficultly, as she went over for a chat with the sound person after the first song, but I couldn't tell what it was. The vocals were kinda lost during the opening act, but everything sounded great for Patti's set. She also seemed a little odd, early in the set. Confused? High? A little different than usual, anyway. By the middle of her set, she seemed pretty much like herself, maybe smoother than usual. She had the usual banter with the audience, though she was pretty nice to people. Or maybe that's because the audience was nice to her. Someone shouted that she looked just like her kindergarten picture (in her new book). She smiled and said she felt that way too. Then she said that it was really her bible school picture and that she skipped kindergarten. She was kicked out for reading. A few times, her stories went on a little long, and Tony would start the song.

The band included Lenny Kaye on guitars and backing vocals, "Jimmy the Hat" on guitar, Tony Shanahan on keyboards, bass and backing vocals, and J.D. Daugherty on drums. Jimmy or Lenny played bass when Tony was on the keyboard. Patti played her acoustic a couple of times.

They started off rather low key. I can't remember what the opening song was, but it wasn't a rocker. Was it "Lo and Beholden"? I think second was "Redondo Beach", and I'm pretty sure third was "Free Money". That was the first one where the band really got rocking. Lenny opened that one with a very nice, mellow solo. A little ways into the show, Patti got her acoustic, and strummed a little song about her parents in Chicago. It sounded like she penned it that afternoon. She told of how poor her parents were. And how her father, Grant, walked through Grant Park, pretending it was named for him. And how her father took her mother to Grant Hospital, again pretending it was named for him. And there, Patti was born. That was a lead-in to "My Blakean Year". Other songs included "Mother Rose" (written for her mother, by her and Tony), "Lo and Beholden", "Beneath the Southern Cross", "Wing", "People Have the Power", "Dancing Barefoot", "Because the Night" and "Pissing In A River".

Lenny's pick for garage rock classic was "People Who Died". He and Tony traded verses. Patti introduced the song, saying that the Jim Carroll (who died last September) was "the greatest poet of our generation." The other cover for the night was The Ojays's "Love Train". Patti said they were gonna fuck it up. :-) After that was their finale, "Gloria". If you've ever heard the song, you know the energy involved. The audience goes wild, and it's not just appreciation for the song - everybody dances.

Setlist from http://setlists.pattismithlogbook.info/:
Frederick, Redondo Beach, Free Money, Improvisation/My Blakean Year, Dancing Barefoot, Mother Rose, Beneath the Southern Cross, Wing, Ask the Angels, People Who Died, Pissing in a River, Because the Night, People Have the Power, (encore): Love Train, Gloria
We saw King Crimson at the Park West in Chicago tonight. The Park West looks like a smallish former ballroom, that was recently updated to a theater. It's got mostly tables/chairs/booths on the main floor, and balconies with many stools. It's got four or five bars, and waitresses working the floor. We sat in a balcony, on the left side. It was high enough to see what the drummers were doing, but not high enough to see Fripp over his lunar module (electronics console).

Okay, first - two drummers. Early in the show, I was fascinated, watching how the two of them played together. I was also interested to see how having two drummers would change older songs, and they seemed to have done quite a bit of rework on them. And man, those drums did thunder. Tony played the Chapman Stick for most of the night, only playing his bass guitar for three songs, and then only with his funk fingers. He was really getting into it, dancing around, and grooving with the music. He's the fluid heart of the band. And it's amazing how he plays that stick. Adrian was Adrian, but maybe less animated than usual. Fripp was Fripper than usual, hiding behind his rig, and stepping almost offstage to applaud towards the rest of the band, at the end of sets. We could see most of him from where we sat, but not his guitar or hands. Disappointing, but when I could discern what Adrian was playing, I could deduce what Fripp was playing. Usually. Sometimes there seemed to be three guitars. Fripp probably had a loop going. At those times, I had to doublecheck that Tony wasn't playing that part, but he wasn't.

They opened both the concert and one of the encores with drum duets. Seems like they did three encores, with two or three songs each. Here's a set list from a show earlier in the week:
1) Drummers duet, un-named
2) ConstruKtion of Light, parts 1 and 2
3) Level Five
4) Neurotica
5) Three of a Perfect Pair
6) Indiscipline
7) Frame By Frame
8) Dinosaur
9) One Time
10) Sex Sleep Eat Drink Dream
11) B'boom
12) Elephant Talk
13) Red
14) Drum duet
15) Thela Hun Ginjeet
16) The Talking Drum
17) Larks' Tongues in Aspic, Part 2
Encore:
18) Sleepless
19) Vroom
20) Coda: Marine 475
Aside from the instrumentals, which I don't know the titles, I recognize most of the songs from this list. I know some of these are out of order from tonight's show.

The sound was excellent. Sometimes the drums seemed loud, and sometimes the bass was hard to pick out, but overall it's hard to complain. And there was a center rear channel. sometimes Fripp's guitar was very distinctly coming from the back of the room. We saw Biff running around on stage a few times. He's currently a tech for the band, but he's a Madison musician, whom we've seen play a few times. By coincidence, Cyn was wearing the t-shirt of one of his bands - Reptile Palace Orchestra. I told her he should try to get his autograph.

Pat Mastelloto's toys deserve special mention. Apparently, he travels with a trunk full of little percussive things, and he likes to see how many of them he can use during a show. About every other song, he held up some new sort of thing to crash, like a wind chime, or one of those big things you twirl around like a party favor, or a bunch of cymbal looking things on a string, or a long metal or plastic sheet that he shook in front of a mic. The problem was that you could seldom hear these gadgets. He really did like making sounds that were new and different. For the early part of one piece, he had drum sticks that had little tambourine-like cymbals attached to them, that he hit his toms with, and afterwards, I saw that he had towels over the drums. He also had a couple of electronic drum thingies. One was the kind of synthesizer that he played with his fingers, and another was a big square unit, with different pads, that he hit with his sticks.

Fripp's notes from his online journal:

The performance: the Beast Is Back! During the first long climbing section in Larks II, I felt the presence of King Crimson entering into the music, and almost wept.

Overall, a strong performance to a generous audience.

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